Showing posts with label musique concrète. Show all posts
Showing posts with label musique concrète. Show all posts

Wednesday, October 6, 2021

The Cooking Errchestra – Live At ICC 2-20-2000

 

Live At ICC 2-20-2000 (Album) album cover

Epic one-off collaboration between Masaya Nakahara of Violent Onsen Geisha/Hair Stylistics, Shusaku Hariya of Computer Soup and some other people, playing a great mix of free jazz, musique concrete, fried electronics and some AMAZING Gerogerigegege-like sex moans near the end! 2000 cd on Cha-Bashira.

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Tuesday, December 29, 2020

Nzetwork Down ‎– 1/1996/1997

 











Exploratory noise, field recordings and musique concrete by the Japanese Miki Naohiko. 1998 cd on Hasikamke.

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Sunday, December 27, 2020

Runzelstirn & Gurgelstøck ‎– Asshole / Snail Dilemma

 


 

 

 

 

 

 

 

 

 

 Rudolf Eb.er bringing the sounds of the season courtesy of a Christmas dinner meal turned into a dysentery festival. 2000 cd on Tochnit Aleph.

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Tuesday, December 1, 2020

Sudden Infant ‎– SICV


 

 

 

 

 

 

 

 

 

 

 One of the best short bursts of drone noise attack you'll be able to hear. 2005 b-card cdr on Audiobot.

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Sunday, November 29, 2020

Sudden Infant ‎– Cut-Up's











What the title says. Cut-up improv noise and musique concrete of the highest order. 2013 cdr on Soja-Sauce Bolognese.

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Thursday, June 25, 2020

Saturday, June 1, 2019

Johannes Frisch & Ralf Wehowsky ‎– Tränende Würger cd



Two German veterans of experimental music join forces to create an album that combines free improvised jazz with industrial noise; Johannes Frisch is a double bass player whose deep chords penetrate and crackle through the noise, while Ralf Wehosky offers a feeling of anxiety with his noises. I particularly like the more evidently organic and live moments as in track 3 "Kantakari" which borders on electro-acoustic musique concrète. 2005 cd on Korm Plastics.

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Thursday, May 23, 2019

Posset ‎– Slippery Caption tape



This isn't a tape, this is musical blasphemy. Posset always manages to release the most cleverly retarded recordings of all times, with this one not being anymore a combination of found objects and Betadine gurgling, but full-blown emetic sound poems exploring the possibilities of the sounds of the vowels of the English alphabet, while still performing throat washes. My brain feels violated every time he brings out something new, and so should you, so there's your parental advisory to avoid this by any means necessary. 2018 tape on Sound Holes.

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Friday, May 17, 2019

Kapotte Muziek ‎– The Malevolent Ear CD



Incredibly deep and hypnotic industrial noise by the legendary Dutch group Kapotte Muziek, with intermittent varying styles of musique concrète, fried electronics, drone, and even dark ambient. I really really like this album. 1995 cd on Red Stream.

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Wednesday, April 10, 2019

Blyth Holes ‎– Blyth Graveyard tape



One of the most mysterious recordings of the North-East England underground is this one which seems to commemorate the contributions of Jamie Stewart, Martin Gregory and Waz Hoola to the scene. Actually, it is  an one-off recording by George Proctor (Mutant Ape, Inseminoid, Turgid Animal Records), Ben Jones (Jazzfinger, Mechanical Children), and Dean Glaister (RYN, Erases) playing very lo-fi harsh noise and musique concrète, with the second track being so lo-fi that is almost hypnotic. 2011 tape on Ecstatic Peace! with artwork by Kim Gordon!!!

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Sunday, March 31, 2019

Chow Mwng - Mollip & Reptile tape



The theme of Chow Mwng in this tape is Seasonal Affective Disorder, accompanied by a bleak written pieces. And the sounds are slightly bleaker as well, in relation to the more playful aspects of most of his releases. The sound is more lo-fi, decidedly darker, there are of course lots of moments with prepared guitar and found objects, and there's also more screeching, tape manipulation and ringing keyboard depression. And as with all Chow Mwng releases, it's a great one. 2018 tape released on the New Zealand-based Independent Woman Records.

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Sunday, March 24, 2019

Daniel Gregory - Kebab Shop Will Sell Ice Cream / Gardbuk - Fantasy of Dying Lights



In my town there's a kebab restaurant run by political refugees of the important Turkish undeground communist party DHKP-C, who have been waging an urban guerilla struggle against the oppressive Turkish state for decades. These people have come to the country where I live to escape certain death and they run this amazing kebab shop as a family. Every time I go there it's a feast with beydi kebab dishes, ezme salad for starters, and sometimes we also order their homemade deserts. I definitely would find it a great idea if they also offered some ice cream post-feast to calm down the spice, and the immense amounts of fat received via the doner meat-red tomato sauce-yoghurt-pita bread-melt butter-all-over of the poem that is iskender.

This ain't relevant though with the music hereby, which is none close to Turkish music. Daniel Gregory does guitar improvisations mainly on prepared acoustic guitar, with his sounds trying to stay as away as possible from actual music, which makes it quite similar to the also great Chow Mwng. What I like in musique concrete, and it is also present here, is the urgency; it's very live and very active. The last track is an unstructured atonal blues dedicated to Neil Campbell, and it's a nice melancholy ending to a short trip to essential no-audience underground music. 2018 tape on Structured Disasters

The tape can be bought in a bundle with the incredibly lo-fi mid-tempo black metal epic tape Fantasy of Dying Lights by Gardbuk, which is ideal for letting your waist-long hair hanging while you also keep your head down and move it slowly in a circle while walking in the local park while snowing. Xasthur fans will definitely dig this.

Thursday, February 7, 2019

Chow Mwng - Beca cd



Chow Mwng, the alias of Ash Cooke, returns with a brilliant piece of experimental ingenuity; inspired by a Welsh artist group called Beca (who I know nothing about), he has created 5 tracks of Gwrth - gitâr (anti-guitar): this is improvised anti-music played on a stringless and prepared acoustic guitar and with accompanying senseless growls. This is a fine piece of musique concrète that deserves to be heard and disseminated, as it pushes the boundaries of what free music is and develops new ways of doing things with instruments. Great job done. You can listen to it and offer some cash to the Wormhole World bandcamp, which does an excellent job at making forward-thinking musicians heard.

Tuesday, December 18, 2018

Christophe Charles ‎– Deposition Yokohama cd



Christophe Charles is a French sound artist who is based in Japan. I came across his music when I saw a butoh dance performance by great Japanese dancer/choreographer Mari Osanai. While I was talking to her, we discussed extensively on experimental music and she mentioned Christophe Charles, who has produced music for her performances, and when she returned to Japan she sent me two of his cds. In this cd, which is the soundtrack of an installation Charles did, we hear multiple tracks of very minimal electronics and musique concrète that challenge the idea of a narrative, linear duration and hearing experience, as all tracks have the same length, which potentially comes into conflict with the idea of a trademark track made by an artist. 1994 self-released cd.

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Wednesday, November 28, 2018

Maurizio Bianchi - Akoustikoriginem cdr



Possibly one of the most divergent releases of MB, as in this one he doesn't make people's lives miserable with grey industrial apocalyptic synth sounds, but he improvises on an acoustic guitar, and a prepared one at that on the first track. Someone would call this fifty-two minutes of relentless wanking, but people who have enjoyed Chow Mwng's acoustic guitar deconstructions, or the prepared sounds of Michalis Moschoutis will probably dig this one, too. Still, the guy must be commented on for his indefatigable fingers. 2009 cdr on Lona Records.

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Tuesday, November 27, 2018

Charlie Ulyatt - Off Balance



Second (I think) release of of free cello improvisations by Charlie Ulyatt, whose work has been covered before here); fans of this style are going to be delighted at his new offering, in which he also appears to be making somewhat more "musical" statements aside the noisy take a-la Roof or Diktat; on "Nailed The Rooms Up" we can hear some really nice harmonics, the drone on "Hear Them Wearing Out" has an almost classical/Stars Of The Lid take, "From A Certain Distance" features a percussive side at the beginning that could be looped in a nice house music track and continues with wailing cello sounds that resemble a sore throated cornet or something, and in "A Handful of Salt" Charlie makes the cello sound like chewed-up cassette tape. An exquisite release by a very creative artist; I think I've mentioned in one of my TQ posts that the physical release of this comes at a discount for TQ subscribers, while the digital version comes for free at Charlie's bandcamp page. Great job!

Monday, November 26, 2018

Thurston Moore ‎– Kapotte Muziek By Thurston Moore cd



This is a Thurston Moore reworking/recreation of a Kapotte Muziek gig in the USA. Having a very improvised and Fluxus/dadaist edge made up of noise elements, found objects doodling and a lulling piano piece at the end. I like this a lot, actually much more than the majority of Moore's output. 2004 cd on Korm Plastics.

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Saturday, November 24, 2018

Merzbow & Kapotte Muziek - Works 1987-1993 3Xcd



A greatly packaged compilation spanning collaborations between Merzbow and Kapotte Muziek in the late 1980s and early 1990s, featuring tracks by both outfits working together, plus standalone tracks by Merzbow working on existing recorded material by both, and the other way round (check out the details here). Given the time when this was recorded, this has a very fresh edge and a forward-thinking outlook, with elements of Merzbow-patented harsh noise, musique concrète, industrial, ambient lulling, and even hints of deadening death industrial! A definite must listen. 2012 3 X CD box set on Korm Plastics.

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Friday, November 23, 2018

(The) Solar Plexus ‎– Sushi Roll cdr



A side project of Joe Murray (Posset) with Isaac Murray, who is probably a relative of his? The glories of Posset have been sung many times in this blog, and the sounds here are pretty much in the same vein: dictaphone sample manipulations, musique concrete improvisations on home tools, retarded scat-singing; here there is a bigger emphasis on percussion, with a lot of banging on cymbals. Ideal for those who like their experimental music skronky and incoherent. 2012 self-released cdr.

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