Showing posts with label Coil. Show all posts
Showing posts with label Coil. Show all posts

Wednesday, August 2, 2023

Coil – Love's Secret Domain 2XCD reissue











Listening to Coil for the first time at the age of 15 (it must have been Musick To Play In The Dark 2 or Scatology or one of the Unnatural History compilations) really was a life-changing experience, even without knowing anything about their musical backgrounds or their personal identities, which I would start discovering a bit later. And I still remember the day I read about John Balance's death on a DC++ hub/chat; it was one of the few artist deaths that really shook me. And in 2002 they performed live at my hometown, I really can't describe Balance with his hoodie, the xylophones, man.

So I actually also heard Love's Secret Domain very little after I had heard the three aforementioned LPs but boy. Until then I knew next to nothing about more "conventional" electronic music and this was one experience that was confounding, to hear sth that sounded slightly mainstream - for my then black metal and hardcore punk and kinda harsh noise standards - but also so sinister, and far out and hypnotic and sensual and whatever. First I was shocked by "The Snow" and by "Dark River" and I thought, "bro how much has Ulver listened to this shit," and then "Lorca Not Orca" with that reprise of "Teenage Hospital" in the background (though I must say that the version on The Ape Of Naples is by far my favorite) and then fuuuuck "Windowpane" and how many hours I've spent watching the video clip and even playing it non-stop at my university department's occupation we did years later.

So, this is the double cd reissue with some liner notes by Stephen Stapleton if I remember correctly (the cd is in my car actually so that I listen to "Lorca Not Orca" on repeat during nighttime driving, and the second cd is full of goodies: a latin guitar rendition of "Teenage Lightning" that is different to "Lorca Not Orca" that is utterly beautiful, a rhythmic version of "Dark River," the heartbreakingly beautiful cabaret-like "The Dark Age of Love," an instrumental of the title track. Must hear, a really respectful reissue to one of the best albums of all time. 2021 2 X CD on Infinite Fog Productions.

Download  

PS1: I reached the age of 37 to actually feel for the first time that I fell in love with a woman and actually made a move for her. I doubt she will ever read this. She is the most beautiful, confounding creature ever and she broken my bloodthirsty communist iron-clad heart to so many pieces it will never be glued again. Last Easter I spent a whole night awake with her, staring at her, caressing her, bringing tears to her eyes. After countless joints and drinks I said goodnight to her with an embrace and a kiss on her forehead. She drove home and I slept in my car for two hours until the morning came to drive to my hometown 500 km away for Easter holidays. When I got into my car, I played Love's Secret Domain and sent her a link to "Lorca Not Orca." She loved it. I loved her. I love her. But it was destined to die from the first moment. So I destroyed it. Now the memories of her will continue with the musics I sent her and that I loved and that I hoped we would listen to together.

PS2:

 

That was in your words the best Thursday of your life. Do you remember that the quintessential breakup song of all time was the song that brought us together? A day earlier you told me that I was that excerpt from Osamu Dazai's No Longer Human. And do you remember that I told you that I pictured you as the following lyrics from "Black?" 

I know someday you'll have a beautiful life 

I know you'll be a star in somebody else's sky, but why 

Why, why can't it be, oh can't it be mine? 

Do you remember the road overlooking the whole city? Do you remember that blue dress you wore just for me? You looked like an angel, just the incarnation of your name. Do you remember the stockings you tore with your nails so I could penetrate you? Do you remember how much I wanted to be with you but was scared because I knew you would be a star in somebody else's sky, but it couldn't be mine? And that that desperation drew you to me? Yes, I eventually broke that promise I gave you that day, but I did it because you wanted me to act in contrast to my promise. And next year, on the anniversary of that Thursday I will go again up there, on that road. And how I wish there would be a miracle and you would come up there too to wipe the tears from my eyes.

Thursday, March 19, 2020

Coil ‎– Astral Disaster Sessions Un/Finished Musics



With COVID-19 waiting outside our door, it's incredibly hard for me to do regular posts. I am a teacher and my job has been indefinitely closed so I'm at home, but me and my wife and disinfecting the house all day to protect our baby boy, and when I go out twice a week to shop we follow a fucking protocol with clothes, gloves, bags and disinfect all shopped products. Plus, I have to do skype lessons so no time left. Thus, any time I am able to post anything, it will probably be without any comments/review thing. Here's Coil's unreleased tracks from the majestic Astral Disaster. 2018 LP on Prescription.

Download

Saturday, August 10, 2019

Coil - Live - Copenhagen 2002



A rather noisy concert performed by Coil in Copenhagen in 2002 which is now offered for free on Thighpaulsandra's website. It features, among others, a very heavy and dark version of "Are You Shivering?", a trippy one of "Ostia The Death of Pasolini," and a cover of "Bang Bang," along with a very obviously heavily drunk John Balance. You can get it either from the source, or from my upload, it's your call.

Friday, August 9, 2019

Coil - Swanyard 2 X Cd



Rather passable compilation of early version of tracks that later appeared on Backwards, The New Backwards, and The Ape of Naples, as well as other 1990s unreleased tracks that sound more like sketches than fully-crafted songs. But I guess like most people who have bought this, we cried oooohhhh Coil archive material and bought it at the blink of an eye. Btw, these tracks come from Danny Hyde's archive, which have made it even more tempting to buy the thing. 2019 2 X CD on Infinite Fog Productions.

Disc 1
Disc 2

Wednesday, August 7, 2019

Coil ‎– The Gay Man's Guide To Safer Sex +2



Don't quite understand the necessity of this compilation, but it's still fun. You get the two versions of the "Theme to the Gay Man's Guide To Safer Sex," plus two version of another track on the same TV program, plus the two "Nasa-Arab" songs from Stolen And Contaminated Songs which you already know and love. So, the two title tracks sound to me as the most commercial Coil ever reached and that's a great thing! Very relaxing and sensual acid house/psychedelic dub with an awesome female vocal loop, that really woke me up as I was driving home last night on the highway. The other two songs, Exploding Frogs/Omlagus Garfungiloops, have the same dark cabaret bass line and some far out keyboards, vocals, and sax which remind me a little bit of what Throbbing Gristle unsuccesfully tried to do on Part Two-The Endless Not in a more house approach, and I love it as well. The key words here are sensual and erotic, and it is a great listening suggestion for this fucking heatwave across Europe these days. 2019 cd on Musique Pour La Danse.

PS. Some days earlier I was again driving on the highway at midnight, and I was listening to Neurosis' Times of Grace at quite a high volume and it gave me the creeps! I then stopped at a highway toilet in the middle of nowhere just with trees and stopped lorries with drivers sleeping inside and so scared was I that I peed like ultrafast and didn't even wash my hands!

Download

Friday, February 15, 2019

Throbbing Gristle - Heathen Earth remastered & reissued


This is the Throbbing Gristle album that really lives up to their musical reputation of being the bleakest group of their time. I'd be brave enough to say that up till that point every album of theirs, including DOA had some lighter moments that took something away from the industrial ominousness they promised and strove for. But in this live recording in front of their friends, everything is appropriately horrid, with the highlights being a gruesome version of "Six Six Sixties" from 20 Jazz Funk Greats and an amazing instrumental rendition of "Something Came Over Me." The second cd of the reissue features various live recordings of songs that have already appeared in the TG24. This is the 2018 Mute remastered re-release of the original 1980 album.

Disc 1
Disc 2 (Bonus)

Wednesday, December 19, 2018

Christophe Charles - Verena (and a comment on how Coil can potentially destroy your life)

"Verena" is a minimalist ambient composition created by Christophe Charles in 2000 composed of field recordings, glitsch electronics close to Coil's Worship The Glitsch, and a floating sense of drone ready to break out. Highly recommended listening.

Download

Speaking of Coil's Worship The Glitsch (released as ELpH vs Coil) the time when I first listened to it coincided with a period of acute depression and anxiety disorder with psychosomatic symptoms that plagued my everyday life for many months and nearly destroyed my relationship with my then-girlfriend (and now wife) as well as my stomach. So, the three-part track "Halliwell Hammers" from that album, which refers to the murder of controversial British playwright Joe Orton - who wrote the influential play Loot - at the hands of his boyfriend Kenneth Halliwell with a hammer. I don't know if I subconsciously related the sounds of that particular song, and especially its second and third part, with the actual murder - there is a percussive sound throughout, not a violent hammering bang - but from the first time I heard it I got instantly scared and anxious, and I don't remember ever having managed to listen to it through, though it lasts only 2.30 and 3.30 minutes respectively. Its cold crystalline sound always evoked to me an image of frozen green blankness, of expressionless faces, and to this day, the hair on the back of my skull and neck stand up. Combined with my then tortuous depression and stress-induced stomachache, I felt that if I was put to listen to that track continuously I would slice my wrists. I don't know why I'm going through the test to listen to all three parts of this track right now and write all this nonsense; maybe the fact that I'm in a extremely better situation right now in my life - being a father, having a regular job - enables me to confront that period. However, the suicidal sounds of "Halliwell Hammers" are still capable of raising my hair.

 The first, relatively harmless part:






The unspeakable part:

Sunday, January 14, 2018

Coil - Live Two (Live In Moscow 2001) cd



An immensely psychedelic live experience by the best electronic band of all time, recorded during the Musick To Play In the Dark Vol. 2 tour in Moscow in 2001. Despite the mostly astral droning music Coil played at that time, this has a lot of noise involved and an almost-drone metal rendition of Constant Shallowness Leads To Evil that would make Sunn O))) blush. 2003 cd on Threshold House.

Download

Friday, January 12, 2018

Coil - Queens of the Circulating Library cd



I remember having bought this cd during the summer after I had finished high school, trying to calm down after my college entry exams and waiting to see if I would go to the university. I already loved Coil, they were one of the very very first experimental/noise/ambient groups I had discovered, as I mainly listened to hardcore punk and grindcore at the time. So when I bought this my parents had gone on holiday and I was home alone and it was scorching hot outside. So I started listening to this and turned on the air-conditioning machine at full blast. The feeling of machine-produced cold and the psychedelic trance-like ambient music just made me so blissful. This cd totally belongs in 1970's Germany, Florian Fricke or Klaus Schulze would have been totally proud to release this. Sleazy isn't playing on this one, just John Balance and Thighpaulsandra, plus sandra's mother reciting. 2000 cd on Eskaton.

Download

Wednesday, September 27, 2017

Skullflower - (almost) complete discography Part 1

So, at the request of a dear commenter, I hereby present the discography of Skullflower. Apologies for the delay in doing so but things have pretty hectic. Due to the lack of time, comments on the albums, as well album covers, will be limited. After all, Skullflower and their importance in the formation of the noise/drone scene by including live traditional rock instruments rather than electronics has been extensively documented in many blogs. If I find the time, I might come back to the post and include covers and whatnot. This first part will cover SF's initial run from the late-80s to 1996. Part 2 will come soon-ish.

1987 - Bull & Gate Oct 7, 1987 download

This is an early SF live recording released in 2012 by Shock and Dirter Promotions, featuring Matthew Bower, Stuart Dennison, Stefan Jaworzyn and Gary Mundy of Ramleh. I had found this on a blog, but unfortunately I can't seem to find the link to lead to that blog, so I have uploaded it. If the original uploader sees this and wants me to link to his post, please send a comment.

1988 - Birthdeath

 

More specifically, I'm including both the original version and the Kino I: Birthdeath reissue. As is shown in Stephen Jaworzyn's liner notes in the reissue, tracks 1 and 2 are from 1987 and unreleased, track 3 is also unreleased and probably their earliest recording (1986), track 4 is from 1988 and probably from the Form Destroyer sessions, track 5 from 1988, tracks 6 and 7 ("Birthdeath" and "Grub Song") are not the versions found on the original lp, but are the remixes from the Ruins LP, tracks 8 and 9 ("Timebomb" and "Blood Harvest") are the original Birthdeath versions and tracks 10 is unreleased. The original was released in 1988 on Broken Flag and the reissue in 2013 on Shock/Dirter Promotions.

Original Birthdeath download
Kino I: Birthdeath reissue download

1989 - Form Destroyer download

1989 - I Live In The Bottomless Pit - Bo Diddley's Shitpump 7'' download


1990 - Rift - Avalanche 7'' download

1990 - Rotten Sun 7'' download

1990 - Ruins download


1990 - Slaves 7" download

1990 - Xaman download

1991 - Mauro Teho Teardo split download (SF track only)

1991 - IIIrd Gatekeeper download

1992 - Evel Knievel 7" download


1992 - Bad Alchemy 7'' download

1993 - Last Shot At Heaven download: removed by SF's request

1993 - Obsidian Shaking Codex download: removed by SF's request

1994 - Carved Into Roses download

1994 - Choady Foster - Spent Force 7'' download

1994 - Ponyland 7'' download

1994 - Skullflower & Total split 7'' download (both SF and T)

1994 - White Fang #2 - Glassy Essence 7'' download

1995 - Adieu, All You Judges (Live Split with Ramleh) download (both SF and T)

1995 - Argon download

1995 - Infinityland download

1995 - Transformer download

1995 - Village Sorting 7''

1996 - this is Skullflower download

2013 - Kino IV: Black Sun Rising download



This is a compilation featuring some unreleased tracks as well as some 7" tracks I have already uploaded in their own right. Tracks 1 and 2 are unreleased, tracks 3 and 4 are the Rift/Avalanche 7", tracks 5 and 6 are the Slaves 7" but "Satan My Black Ass, Steve Albini = Jim Steinman" is assigned its original title "Hoof," track 7 is unreleased, tracks 8 and 9 are the ILITBP/BDSP 7", track 10 is the original title of "A Guide to Canine Foreskin Retraction" from the Portable Altamont comp (more below), and tracks 11-13 are unreleased and derived from the Xaman recording. 2013 cd on Shock/Dirter Promotions.

Various tracks download - removed by SF's request

In this rar I have included some SF comp tracks: "A Guide To Canine Foreskin Retraction (from The Portable Altamont)" (renamed "Against Everything" on Kino IV was released on the Portable Altamont 1991 compilation with Coil, Nurse With Wound, Current 93 and Drunks With Guns. "IIIrd Gatekeeper" is from the 1993 Sound From Hands compilation (and also included on the bandcamp reissue of Last Shot At Heaven). "Aquatic Horrorshape" is from the 1993 Shrine compilation and also from the LSAH internet reissue. "Dawning Mew" is from the LSAH reissue as well. "Hamburger Lady" is from the 1999 tribute to Throbbing Gristle Entertainment Through Pain.