Saturday, December 23, 2017

Maurizio Bianchi ‎– Plays The Clockwork Orange LP



This is a mash-up of samples from the soundtrack of A Clockwork Orange, decomposed by Maurizio, and made as a private tape in 1980. If it had brought out in its time, it would have been a major forerunner of hypnagogic stuff like James Ferraro, as it constantly shifts the samples and creates a haze of split seconds of memories from the music of Rossini, Beethoven and Wendy Carlos. It's almost the plunderphonics equivalent of the mayhem of The Third Reich 'n' Roll! This is the 2010 LP release on Hot Releases.

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Maurizio Bianchi & Land Use ‎– Tse-k LP



This is one more of the four collaborations between MB and Land Use (you can check the awesome Psychoneurose here and Spülfeld here and Neural Frequencies on YouTube). Not much to say here, two suffocating and toxic pieces of industrial ambient noise by one of the greatest masters of the genre ready to make your day as grey as possible. 2007 LP on SmallVoices.

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Friday, December 22, 2017

Indian Lady ‎– Help Wanted Female/The Creeper tape





This is another project involving Lee Stokoe (Culver) and Lucy Johnson (Smut) who are playing together as Witchblood, this time joined by George Proctor (Mutant Ape, Karst and Turgid Animal records). Not as deep-bass-laden and heavy as one might expect from a collaboration between these three, this is more like a lo-fi, trebly mess of psychedelic drone rock nodding to Les Rallizes Dénudés, Taj Mahal Travellers and Popol Vuh featuring the sprawling, siren violin of Lucy and some nice fuzzy bass lines. Good stuff, guaranteed by the best droners of the English North-East. 2011 tape on Turgid Animal.

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Thursday, December 21, 2017

Nocturnal Emissions ‎– Nightscapes LP



Awesome psychedelic ambient soundscapes with a distinctively kraut/kosmische vibe by the legendary project of Nigel Ayers. 2006 LP on SmallVoices.

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Wednesday, December 20, 2017

Love Theme - Love Theme LP (Dirty Beaches)



This is another moniker used by Alex Zhang Hungtai since the abandonment of Dirty Beaches, where once more he plays the saxophone. Here he is accompanied by sax player Austin Milne and keyboardist Simon Frank. Unlike the free jazz of Âncora, the music here has a closer proximity to Dirty Beaches. Alex's old music always sounded to me like the deleted soundtrack of Jim Jarmusch's early films like Permanent Vacation or Stranger than Paradise, or even David Lynch's Eraserhead or Blue Velvet. The immense darkness and the mournful odes to lost love evoked by the slow crawl of the saxophones is contrasted with instances of outbursts of throbbing synths and drum machines which offer a surprisingly Blade Runner-ish cyberpunk vibe. Along with Watch Repair/Mystic Umbrellas' Journey to the West this is the strongest contender for album of the year. 2017 LP on Alter.

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Tuesday, December 19, 2017

Alex Zhang Hungtai, David Maranha, Gabriel Ferrandini - Âncora



After deciding to do away with the amazing Dirty Beaches, Alex Zhang Hungtai seems to have moved on to even more experimental directions. Apart from his amazing solo piano recordings cd Knave of Hearts he has started working with other people. One work that has emerged from his collaboration is this cd here, in which he is joined by Portuguese musicians David Maranha and Gabriel Ferrandini on keyboards and drums respectively, while Alex handles the saxophone. The outcome is an ecstatic slab of free jazz that covers the spectrum between passionate noise and psychedelic ritualism. I love this. 2016 cd on Grain of Sound.

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Monday, December 18, 2017

Norman Westberg - 13 cd



Does Norman Westberg need any introductions? He is probably in my opinion the most groundbreaking guitar player of the last 35 years, along with maybe very few others such as Dylan Carlson and King Buzzo. He has always been such an integral part of the sound of Swans, from the nihlistic emptiness and oppression that his noise and riffs evoked in the early days, to the annihilating sound that they had been doing up till a few months ago before the disbandment of the last line-up. In the four times I watched Swans live since the reignition in 2010, I always had my eyes on Norman to see what he was doing, since he always seemed to be as the one who was the less audible, but every time it became apparent that his quiet gum-chewing persona was the one delivering the droning underbelly beneath the noise. I am very lucky to have seem them repeatedly live and I hope that whatever comes next in the Swans thing, he will still be part of it.

This cd was initially a very limited release in 2014, but fortunately Lawrence English and Room40 have made this once available. It's an amazing 31 minutes of guitar, e-bow and bowed bass-based drone/ambient masterpiece with an incredible sense of longing, mourning, solitariness, and of dark, desert environments. I can't recommend this highly enough, but it must be already understood that Norman is guaranteed success. 2015 cd on Room40.

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